Showing posts with label published. Show all posts
Showing posts with label published. Show all posts

Monday, September 16, 2013

Traditional Kitchen Style



Posting today, a  feature about traditional kitchens from around India appeared in the  Sep 23 , 20113 issue of India Today Home.
  










At the heart of every Indian house lies its kitchen. Although the traditional Indian hearth is a far cry from the gleaming counter tops of its city counterpart, it is not hard to find homes that still retain their age-old sanctums, with due modifications that occur over time.



The traditional kitchen evokes strong images – that of basic, utilitarian spaces, wood fired stoves and ovens, gleaming brass or stainless steel storage boxes, ceramic containers used to store pickles and preserves, charred patina of thick terracotta, meticulously scrubbed brass and steel pots.
Depending on the region the kitchen, there is also the odd implement and tool used for specific purposes of steaming, molding, grating and cutting etc.

Even as one routinely chances upon quirky coconut graters from down south and brass moulds to set kulfi in from the north in flea markets of Mumbai or Delhi, and ubiquitous gas cylinders and shiny stoves come to replace the traditional chullha, one questions the need to reminisce and observe age old practices. Is it an exercise merely driven by nostalgia? Or is there more to the traditional kitchen, the recipes it gives birth to and the traditions it represents?

 A close look into the mores that thrive in the Indian kitchen tells how this humble space is a receptacle of culture and a way of life that shapes an entire civilization.

The smell of wood smoke is enough to trigger journeys back into time and into spaces that one way or the other form a strong part of childhood memories for many. May be from a long lost a home back in a village, or that of an odd relative or friend that one visited or that of a grandparent.

 Usually when one thinks back to a home from the past, it is not surprising that most stories and associations one has are from long lost kitchens.  This more than any other part of the home brims with sights sounds and smells of all kind. However prosaic the range of activities that surround such a space, it seems to feed a lifetime  of memories and imagination of entire civilisations.



A guests cup of Khante, or salt butter tea always brims on a visit to a Ladakhi home

Where the modern kitchen is best suited to meet the needs of increasingly convenience driven households, the traditional kitchen addresses more than just functionality.  It is a sacred space, treated as such, perpetuating tradition and lessons that speak of a way of life.



Probably why, owners of a Raibnder home in Goa refused to cut the coconut trees that came in the way of their home while it was being constructed. So, very creatively two robust coconut trees serve as a pillar around which the kitchen is constructed.  “Trees are sacred, we did not want to cut those on the plot while making room for the house,’’ I was told by the owners. Speaks volumes about the sensitivity to the natural environment. A lot of the practices that surround old kitchens are considered sacred almost mystical than the purely scientific or functional. Not surprisingly the sight is unlike anything that a urban household can ever conceive of as possible.


With time, much has changed in rural as well as semi-urban and urban kitchens across the country. The tradition of cooking on a newly raised platform in a Rajashtani Haveli situated in the old quarter of Jaipur for example.  ``We used to have a large kitchen where the cooking was done on a hand made chullha’’, explains Aarti Devi, the matriarch of the family. However since the fragmentation of the joint family, the kitchen was reorganized into a much smaller corner she said. Their new kitchen- less than five years old- is more efficient in meeting the needs of their smaller household, yet retaining the essential character of the traditional haveli it finds a place of pride within.

For most part though kitchens like homes everywhere in traditional societies straddle the past and present comfortably, evolving with time, and retaining what remains functional and relevant from the past.   Thick Tibetan carpets cover the wooden floor of a traditional Ladhaki kitchen in Hunder in the Nubra Valley.  `` We still use traditional implements handed down to us by our parents since they suit our needs so well ‘’ says home-owner Tashi Dorjey, speaking off the `Lungto’ a traditional Stone urn that is used to cook rice in. The dense walls of the vessel keeps its contents warm for a long time even in below freezing conditions.


Perhaps revisiting a traditional kitchen is just more than an exercise in nostalgia then.  For this space with its symbols and rituals, above all spaces in the domestic domain not only upholds a way of life but also shapes the mind and body of entire civilizations. 





A peek into kitchen's around Goa.

Friday, November 18, 2011

Interior stories from Goa



Posting today, a  feature about the Goan residential architecture and interiors appeared in the Nov 28, 2011 issue of India Today Homes.  For the original article go to: 

http://indiatoday.intoday.in/story/old-homes-goa-margao-furniture-menezes-braganza-beaches-konkan-coastal/1/160222.html



A typical Goan single-storeyed home in Margao




For the smallest state of India-merely a tiny strip of land on its western coast, Goa has inherited history incommensurate to size. Shaped by long years of Portuguese colonialism and the Konkan coastal experience, the old homes of the state are keepers of its chequered past.

A quest for the quintessential Goan home brings me to the sleepy old village of Chandor. The erstwhile capital of the state reached the heights of its glory in the 11th and 13th centuries under the Kadamba rulers of Karnataka. The torpid monsoon afternoon is uncomfortably hot. I am looking forward to my appointment with 80-year-old Sara Fernandez, resident and owner of Casa Grande or Vodelem Ghor in Konkani.

I have been told much about the old homes of the village, however nothing has prepared me for what I encounter. 

Casa Grande is a two-storeyed structure seemingly Portuguese in style; a long facade divided by interminable file of windows laid with mother of pearl. Only once inside does the existence of a courtyard, in resonance with Hindu-style homes, become apparent. 


Casa Grande
It is an old house, predating the Portuguese, built in the Kadamba era.  Time drips from every wall and shell-lined window of the house. Mrs. Fernandez mutters, ``disorder, disorder’’ as she walks me through fading corridors which have seen much in years.
Only for one who has just been offered a glimpse into the innards of a 400-year-old house, living and breathing with supreme grace- I am too transfixed, to notice. The decay, crumble and chaos spills silent stories, and history seems to have settled in coils and layers around the house. Walking around dimly lit hallways attics and sooty secret passages, I keep looking for a portal, a way into the fabric of one of the oldest homes of Chandor. 

Goa has a rich tapestry of old homes and mansions with long eventful lives.  These are spaces where the traditions of the east and west coalesce resulting in delightfully syncretic architecture and aesthetics.

Casa Grande houses a veritable museum of sorts at the ground level. Artifacts-some dating back centuries, connected with the house- Shiva lingams and old agricultural implements are displayed aside precious vestments worn to church by the priests from the house including one particular garment with fine Chinese embroidery dated 1664. 


A planters chair resting in the hindu-style quadrangle of the  Fernandez home



The house has an armoury of swords and sheathed daggers, trap doors that lead to secret hideouts and escape routes, their walls perforated with gun holes to shoot at unsuspecting invaders.The past intertwines with the present as the later Christian, Portuguese elements become apparent sitting aside contemporary paraphernalia with grace and indifference; plastic toys are strewn on a 200-year-old love seat, a black and white television set sits propped against a powder blue lime wall. 
                                         
Of particular note is an old cabinet made of gleaming rosewood. Choked with vintage China from Macau and plastic tableware, its glass panels are interestingly laid with old fading prints of art. "We keep changing the pictures inside as they fade'' explains Fernandez. The result is a quirky pastiche of renaissance art, old advertisements and bazaar prints. An apt testimony to the years of evolution the house itself has seen.

The rosewood picture cabinet at the Fernandez home
                                    
Old houses like Casa Grande are expensive to maintain. Homeowners complain about a growing shortage of craftsmen who retain quality skills to help maintain the structures. Many among the younger generation find it challenging to carry forward the demanding legacy of the past.  `` I am tired,’’ says Mrs. Fernandez bracing her body against a white washed pillar, her laboured, asthmatic breathing filling up  the silence of the house. ``I have tried to keep this place the best I could, I don’t know if my children will be interested’’,  she says heavily. The  fact makes the efforts of those committed to their histories and personal stories remarkable.



Living room of the Pereira Braganza's 
Not very far from Casa Grande, is a painstakingly renovated home. The stately Braganza house owned by two sides of the same family: Pereira Braganza and Menezes Braganza. In the interest of preserving the space, the homeowners have segregated the living areas from those rarely in use.It is impossible to miss the elaborate 28-window tripartite facade of this Portuguese style mansion sprawled over 10,000 sq m of space. 



The dance hall ( Perieira Braganza)
More sumptuous interiors, one will not see. The homes are divided into massive rooms with soaring ceilings laid out in intersecting sections. At the far end of the Pereira Braganza house sits the family's private chapel, an ornately carved and vaulted affair.The centrepiece of the mansion is a large ballroom. Its flooring made of Italian marble, Belgian crystal and Venetian glass chandeliers and mirrors encased in gold and silver, lends a priceless sparkle and patina to the room. 

Chinoiserie love at the Menezes Braganza home
                               
In the adjoining wing of the Menezes Braganza, it takes a retinue of six full time caretakers to ensure day-to-day upkeep. Gleaming silver, oriental vases and hand crocheted lace mix with the Portuguese love for Chinoiserie.


A sun filled bay at the Menezes Braganza home
                               

Gleaming silverware at the Menezes Braganza home
                                

In Margao, Ninette Pinto and Charles Rodrigues have just moved into a new, smaller home. They are still unpacking as I knock at their door. The interiors here are scaled down versions of what I have seen in Chandor, yet typically Goan. Intricately carved chairs in dark woods are arranged in circular arrangements on brightly patterned tiles and there is still more china and silver lovingly displayed.


Ninette and Charles Rodrigues home in Margao


Ninette's China
                  
The Figueiredo home, also in Margao, has striking Chinoiserie inspired exteriors. Jade coloured window shutters contrast strikingly with bright yellow exteriors. 



Red blue and buff at the Figueiredo home in Margao


                                 
"We keep changing the colours of the structure both inside and outside," says Figueiredo. "It helps us maintain the façade from the elements, besides changing things around a bit routinely,'' he adds. The tropical nature of Goan weather accelerates weathering of structures.  

Yet another family in Cansaulim, the Carvalhos have set aside a few well-preserved rooms. A newly painted bedroom with richly carved four poster bed covered in hand crocheted lace and a rosewood wash stand displaying an old Chinese basin and jug serves as a serene link to the family's faded past.



The restored bedroom at the Carvahlo residence, Cansaulim
The efforts to preserve and conserve are driven mostly by individual homeowners, efforts that are not only heartfelt and challenging, but will decide what the Goan legacy is going to mean in times to come.










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